The manu guide us. When we gaze into their eyes, we will see the horizons they gaze out upon and are situated within.
– Fiona Pardington
In Māori culture, these manu are not just old objects; they are seen as sacred taonga that connect our world to the spiritual world.
By using dramatic lighting and zooming in close, Pardington makes these birds – some critically endangered, others completely extinct like the huia – look like powerful, ancient gods. Instead of leaving them trapped in cold museum display cases, she brings back their wildness and dignity.
Fiona Pardington, North Island kōkako, Callaeas wilsoni, albino, Remutaka Range, 30 June 1883; collection of the Museum of New Zealand Te Papa Tongarewa (OR. 000167)
Layered with references to Dante's Divine Comedy and featuring vintage landscapes superimposed into the birds' eyes in Taharaki Skyside.
Fiona Pardington, detail of North Island kōkako, Callaeas wilsoni, albino, Remutaka Range, 30 June 1883; collection of the Museum of New Zealand Te Papa Tongarewa (OR. 000167)
Pardington cleverly draws a line between the sunrises and sunsets of her home in the Hunter Hills of Te Waipounamu (the South Island) and the light of the Venetian archipelago. Her brother and the project's creative director, Neil Pardington, incorporated these precise horizon gradients directly into the custom frames of the photographs.
Fiona Pardington, Taharaki Skyside, Installation (detail). Photography By Neil Pardington.